Interstate
March 6 – March 29, 2020
By Kit Yan and Melissa Li | Directed by Jesca Prudencio
Interstate is a Queer Asian-American pop-rock musical about two trans people at different stages of their journeys, navigating love, family, masculinity, and finding community in the era of social media. It charts Dash, a transgender spoken word performer as he goes on a cross-country tour with Adrian, a lesbian singer-songwriter, as the activist band, Queer Malady, fueled by the allure of fame and a desire to connect with the Queer Asian community. The band’s fiercely political and deeply personal music touches Henry, a transgender teenage blogger living in middle America, who finds solace in their art as he struggles with his own identity and family.
Kit Yan
Kit Yan (he/she/they) is a Yellow American New York based artist, born in Enping, China, and raised in the Kingdom of Hawaii. Kit is a 2019 Dramatists Guild Foundation Fellow, 2019 Lincoln Center Writer in residence, a 2019 MacDowell Colony Fellow, 2019-2020 Musical Theater Factory Makers Fellow, and 2019-2020 Playwright’s Center Many Voices Fellow. Their work has been produced by the American Repertory Theater, the Smithsonian, Musical Theater Factory, the New York Musical Festival, Diversionary Theater, and Dixon Place. They have been a resident with the Civilians, Mitten Lab, 5th Avenue Theater, and the Village Theater. In 2018 Kit founded Translab, an incubator for Transgender and Non-binary voices in the American Theater, along with MJ Kaufman and supported by WP Theater and the Public Theater.
Melissa Li
Melissa Li (she/her/hers) is a composer, lyricist, performer, and writer based in New York and Baltimore. She is a recipient of the Jonathan Larson Award, a Dramatists Guild Foundation Fellow, a 2019 Lincoln Center Theater Writer-in-Residence, a 2019 Musical Theater Factory Maker, a 2019 MacDowell Colony Fellow, and a former Queer|Art|Mentorship Fellow. Musicals include Interstate (New York Musical Festival, Winner “Outstanding Lyrics”), Surviving the Nian (The Theater Offensive, IRNE Award Winner for “Best New Play” 2007), and 99% Stone (The Theater Offensive). Her works have received support from The 5th Avenue Theatre, The Village Theater, Musical Theater Factory, National Performance Network, New England Foundation for the Arts, Dixon Place, and others.
Jesca Prudencio
Jesca Prudencio (she/her/hers) is a director and choreographer focused on creating highly physical productions of new plays, musicals, and documentary theater nationally, and internationally. Directing credits include Will Snider’s How To Use a Knife (Mixed Blood), Calling (La MaMa ETC), Anna Moench’s Man of God (East West Players), PDA (La Jolla Playhouse’s WoW Festival) Lauren Yee’s The Great Leap (Steppenwolf) A&Q (Philippines), and FAN: stories from the brothels of Bangkok (Thailand). Her critically acclaimed productions of Qui Nguyen’s Vietgone and Anna Ziegler’s Actually at San Diego Repertory Theatre received multiple Craig Noel nominations including Outstanding Director. She is a recipient of The Old Vic’s T.S. Eliot US/UK Exchange Fellowship, The Drama League Fellowship, and the inaugural Julie Taymor World Theater Fellowship. Jesca is Artistic Director/Founder of People Of Interest, dedicated to creating community specific documentary theater works. She is currently Head of Directing at San Diego State University. BFA Drama: NYU Tisch, MFA Directing: UC San Diego.
INTERSTATE SPONSORS AND PARNTERS
Mixed Blood is so proud to partner with these amazing groups and organizations.
Asian American Organizing Project (AAOP) is a non-partisan, not-for profit organization, created by young queer Asian people for young queer Asian people to build self-determination and autonomy through civic engagement, youth empowerment, and gender justice.